"It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th." Fleda submitted like a sick animal: she would submit to everything now. "Then what further passed?"!

"You must sit down, then, till I go," said Fleda. "We must find a bench." All this was exciting, but Fleda's spirit dropped, at bedtime, in the chamber embellished for her pleasure, where she found several of the objects that in her earlier room she had most admired. These had been reinforced by other pieces from other rooms, so that the quiet air of it was a harmony without a break, the finished picture of a maiden's bower. It was the sweetest Louis Seize, all assorted and combined—old chastened, figured, faded France. Fleda was impressed anew with her friend's genius for composition. She could say to herself that no girl in England, that night, went to rest with so picked a guard; but there was no joy for her in her privilege, no sleep even for the tired hours that made the place, in the embers of the fire and the winter dawn, look gray, somehow, and loveless. She couldn't care for such things when they came to her in such ways; there was a wrong about them all that turned them to ugliness. In the watches of the night she saw Poynton dishonored; she had cared for it as a happy whole, she reasoned, and the parts of it now around her seemed to suffer like chopped limbs. Before going to bed she had walked about with Mrs. Gereth and seen at whose expense the whole house had been furnished. At poor Owen's, from top to bottom—there wasn't a chair he hadn't sat upon. The maiden aunt had been exterminated—no trace of her to tell her tale. Fleda tried to think of some of the things at Poynton still unappropriated, but her memory was a blank about them, and in trying to focus the old combinations she saw again nothing but gaps and scars, a vacancy that gathered at moments into something worse. This concrete image was her greatest trouble, for it was Owen Gereth's face, his sad, strange eyes, fixed upon her now as they had never been. They stared at her out of the darkness, and their expression was more than she could bear: it seemed to say that he was in pain and that it was somehow her fault. He had looked to her to help him, and this was what her help had been. He had done her the honor to ask her to exert herself in his interest, confiding to her a task of difficulty, but of the highest delicacy. Hadn't that been exactly the sort of service she longed to render him? Well, her way of rendering it had been simply to betray him and hand him over to his enemy. Shame, pity, resentment oppressed her in turn; in the last of these feelings the others were quickly submerged. Mrs. Gereth had imprisoned her in that torment of taste; but it was clear to her for an hour at least that she might hate Mrs. Gereth.

"I haven't the least idea," Fleda repeated. "By letting yourself go." Mrs. Gereth considered, trying to penetrate, as it seemed; but at last she brought out roundly: "For you, you know, I'd send them back!"